Severed

September 1, 2014
Larson (An Infinity of Things: How Sir Henry Wellcome Collected the World) delves into the grotesque yet wildly fascinating topic of decapitation. She begins her story by offering an explanation as to why disembodied heads have maintained such novelty over time: it’s because a severed head is “simultaneously a person and a thing.” Beheadings have always captivated, as can been seen from the popularity of historical tales, such as the exhumation and decapitation of Oliver Cromwell (his head then circulated a series of private collectors and was finally buried—the exact resting place a secret), and the frequency of contemporary internet searches for the decapitation of prisoners by terrorists. Larson mentions three contexts in which heads, sans body, have been prominent: in soldiers’ homes as war trophies, in the market that was created to sell shrunken heads to European travelers, and in science labs that conduct research on heads. Perhaps more relevantly for most readers, severed heads have been a noteworthy feature of many museums and religious iconography. Larson’s lively, conversational tone turns these morbid objects into something more meaningful than a mere expression of the macabre.